Hollis Duncan: A Bike-Cross Shoot with a Hangover Cure

This photo is a perfect example of how an idea in my head can transform into reality with the right approach. As I’ve probably mentioned before, interview shoots don’t always pay well, but they offer plenty of creative freedom. That freedom gave me the space to capture the shot I had envisioned for this shoot.

Planning the Perfect Shot

I had a clear vision for this image and was determined to bring it to life. To create the effect I wanted, I needed the ambient light to mimic the soft glow of sunset. I used three flashes to get the right look. Two main lights were positioned at a specific point Collis would cycle through quickly, and I added a ring flash on the camera for extra fill.

Timing Is Key

The key to this shoot was timing—each time Collis passed, I had one chance to capture the perfect shot. I prefer working this way because it forces me to focus more on precision. I avoid using a motor drive, which can lead to unnecessary shots and distract from the goal. I’ve also always had a lingering reluctance to over-shoot, especially since the days of burning through film.

This particular shot wasn’t cropped, and I’m proud of the results. It’s one of many from the shoot that I’ll happily include in my portfolio.

Shooting with a Hangover (And Getting Some Exercise)

Here’s a fun twist: this shoot took place on a Saturday afternoon while I was dealing with a bit of a hangover and had hardly slept. I met Collis at Lesseps, then cycled over using Bicing. Despite carrying a ton of gear, I wanted to get some exercise after the previous night’s indulgence.

After the bike shoot, we hiked up to Parc Guell. The combination of a hangover and the hike made things pretty painful. But here’s something I’ve learned: the best way to fight a hangover (or any discomfort) is with physical or mental activity that distracts you. Once I got into the rhythm of the shoot, I felt much better, and the technical challenges of the shoot faded into the background.